Swiss Shorts: Swiss Eyes on Japan

On Saturday, October 26, the Short Shorts Film Festival & Asia 2024 held a special event, Swiss Shorts: Swiss Eyes on Japan, at the Tokyo Photographic Art Museum. This screening, supported by the Sakae Stünzi Foundation, the Embassy of Switzerland in Japan, and the Vitality.Swiss program, celebrated the 160th anniversary of diplomatic relations between Switzerland and Japan.

The event featured three Swiss films, including the premiere of Johan, l’épreuve du feu (Johan, Trial by Fire), a documentary by Swiss director Romain Guélat about blacksmith Johan Leutwiler, the first foreign swordsmith in Japan. Following the screening, Leutwiler and Guélat joined a live discussion to share insights into the film and their experiences.

Alongside Johan, Trial by Fire, two additional short films were shown: Third Wheel, a lighthearted love comedy set in Edo-period Japan by Kevin Haefelin, and Tokyo Rain, the 2022 Cinematic Tokyo Award-winning film by Michel Wild and Robert Schneider. These works highlighted the unique perspectives of Swiss filmmakers on Japanese themes, offering the audience a fresh and intriguing view of Japan.

Sarah Bokman, Communications & Culture Officer at the Embassy of Switzerland in Japan, opened the event. “In this special year of the 160th anniversary of diplomatic relations between Switzerland and Japan, this project symbolizes our shared values, mutual respect, and rich cultural exchanges,” she remarked. “The Swiss Vitality Days have unfolded over the past few weeks, and this screening serves as the final event. I hope it further highlights the vibrant partnership between Switzerland and Japan and fosters a dynamic exchange of creativity for both countries.”

Regarding Johan, Trial by Fire, Ms. Bokman explained, “This film, which portrays Japan from a Swiss perspective, embodies the spirit of cultural exchange and tells the story of Johan Leutwiler, a Vitality ambassador and pioneer foreign swordsmith in Japan. Under Guélat’s direction, the project represents a fusion of Swiss and Japanese values, rooted in respect and passion for tradition.”

After the screening, Leutwiler and Guélat joined MC John Haggerty and Short Shorts Film Festival & Asia Festival Director Seigo Tonoto on the stage to discuss the inspiration and process behind the documentary. Johan shared how his fascination with Japanese swords began young while he was doing an apprenticeship at a Swiss ironworks, leading him to later head to Japan to study under a swordsmith in Hiroshima. Guélat recalled how he first met Johan while filming in Hiroshima, captivated by his story and dedication.

Reflecting on his journey, Johan said, “Since becoming a swordsmith, I’ve completed three swords successfully, but I’ve failed more than ten times—I’ve lost count.” He continued, “As a swordsmith, I accept failure as part of the process, but I always strive to create the best sword I can each time, learning from every attempt.”

Director Guélat shared that the documentary was filmed as part of the Swiss television series Passe-moi les jumelles, known for showcasing natural beauty worldwide. “I wanted to capture the everyday life of sword-making, drawing on the elements—fire, earth, wind, and the natural surroundings. My aim was to convey the deep significance of nature and its presence in our lives.” Filming took place over two weeks in a secluded mountain location with a small crew familiar with Japan, enhancing the film’s intimate feel.

Johan noted the unique comfort he felt during filming, despite typically being distracted by cameras. “With Director Guélat, I was able to focus entirely on my work at the forge,” he explained. During the talk session, Guélat’s detailed responses occasionally overwhelmed Johan, who was interpreting for the audience. At one point, Johan humorously admitted in Japanese, “I can’t remember it all,” which elicited laughter from the crowd.

The audience was visibly moved, with attendees expressing admiration for the duo’s creativity and dedication. Comments included, “I want to support Johan and Director Guélat’s creative work,” “I hope they return to Japan for future projects,” and “I felt great respect for them.” The preview of the documentary as well as the talk really captivated the audience, culminating in enthusiastic applause.